{"id":6927,"date":"2019-08-27T07:20:35","date_gmt":"2019-08-27T12:20:35","guid":{"rendered":"http:\/\/stateoftheozarks.net\/showcase\/?p=6927"},"modified":"2019-10-23T15:56:55","modified_gmt":"2019-10-23T20:56:55","slug":"the-weird-wonderful-bluegrass-art-of-tim-lee","status":"publish","type":"post","link":"https:\/\/stateoftheozarks.net\/showcase\/2019\/08\/27\/the-weird-wonderful-bluegrass-art-of-tim-lee\/","title":{"rendered":"The Weird, Wonderful Bluegrass Art of Tim Lee"},"content":{"rendered":"

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PLATE 1.<\/span> \u201cFor the first one, we wanted to keep it pretty simple. All roads lead to Raleigh. We chose the banjo, the rolling hills, the iconic skyline from the PNC Building to the Convention Center\u2019s Shimmer Wall, and we went with a horizontal format to allow for the typography.\u201d \u2014\u00a0Tim Lee<\/strong><\/p>\n

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The Weird, Wonderful Bluegrass Art of Tim Lee<\/h1>\n

BY JOSHUA HESTON<\/h2>\n

\u201cLet me think,\u201d shares Tim Lee, North Carolina artist and mandolin picker. \u201cThis project is bluegrass. It is Raleigh. It is a once-in-a-lifetime chance to do what I love most.\u201d Lee\u2019s answer to one very special question was Yes!<\/span> thus making him the official artist of Wide Open Bluegrass 2014, the International Bluegrass Music Association\u2019s annual convention \/ festival, now hosted in downtown Raleigh, North Carolina.<\/p>\n

Last September, Lee was a humble part of the event\u2019s street fair, demonstrating his unique style from beneath a pop-up canvas tent. \u201cA guy who has a design firm in town \u2014 and did the posters for last year\u2019s campaign \u2014 walked by the booth, walked away, then came back. \u2018Hey, do you think I could catch you for next year?\u2019 I said, \u2018Yeah, sure.\u2019 In January he called back.<\/p>\n

\u201c\u2018I\u2019m looking at your stuff,\u2019 the design firm owner said, \u2018And there\u2019s a good chance your work is a perfect fit. Send me a copy of the Mandolin Girl<\/span> [upper left, Plate 1].\u2019\u201d A month went by and then came the call. \u201cWhen are you ready to start?\u201d<\/p>\n

\u201cI knew the deadline would be tight,\u201d shares Lee. \u201cThere were four big pieces to get done.\u201d The artist works full-time with Raleigh\u2019s NewsObserver and also is part of Hey Brothers,<\/span> a local bluegrass band.<\/p>\n

Lee\u2019s work is a provocative combination of surrealist curves, whimsical circus art, pop culture references ranging from The Wizard of Oz to StarWars, all with a dark, back-hills feel and a supernaturally macabre edge. \u201cWe really want you to do the artwork,\u201d he was told, \u201cBut dial back the weird.\u201d<\/p>\n

\u201cYou can\u2019t dial the weird all the way back or it won\u2019t be Tim Lee!\u201d laughs Lee. \u201cSo I found myself dancing around the whole thing, keeping some room to run with perspective, unusual lighting, but then pulling myself back to keep from scaring the kids.<\/p>\n

\u201cWhat I\u2019m doing is not corporate looking. We want people to have a connection with the artwork. To see something totally different. To feel something. To get their own story in their heads about what the World of Bluegrass means to them. That is what makes it really different.\u201d<\/p>\n

\u201cI can\u2019t just draw a skull with a guitar!\u201d[\/vc_column_text][vc_single_image image=”6920″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]\u201cIn the Bluegrass Ramble,<\/span> the band is getting off their old bus [the Bluegrass Express, no less!], going to their venue at night. There in the window, the shadowed silhouettes of another band is on stage. There is the older fiddle guy, the banjo-playing woman, the young guitar player, the bass fiddle is strapped on top.<\/p>\n

\u201cI’m trying to stay nostalgic but touch all bases on age. I think that\u2019s a big part of bluegrass. You have the history but you have the new people \u2014 kids coming in who are very young. It is this whole mix.\u201d<\/p>\n

An iconic mascot, a squirrel with a banjo on his back, is also a part of each completed piece. \u201cWe wanted to have something \u2014 a character \u2014 that could be placed on lots of different things and serve as an emblem for the festival.\u201d[\/vc_column_text][vc_single_image image=”6923″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]In another piece, a simple black-on-orange \/ orange-on-white motif combines with the irregular lines of coon dog and banjo-totin\u2019 mountain man. Screen print patterns resonate in an oddly shaped moon and pine tree silhouettes. Ole Rocky Top<\/span> is artwork that insults, then resonates, then attracts. It is powerful in its simplicity.<\/p>\n

Colors resound, the orange a fundamental color of pop culture advertisements in the 1970s. Strangely, the gutsy color also brings to mind the setting Appalachian sun, the classic Pontiac Firebird emblem and even the unsettling threat of Deliverance.[\/vc_column_text][vc_single_image image=”6925″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]\u201cWe talk about the basic concept, then I do some roughs,\u201d says Lee. \u201cWe make comments, then the roughs are sent to the committee.<\/p>\n

\u201cThe Streetfest<\/span> art is a tough one. There are a lot of figures. A lot of people. It is a crowd scene with full bands on stage. The capitol building is centered at the end Fayetteville Street. There is a lot of diversity.\u201d This time the squirrel mascot can be seen sporting a feather-plumed corsair hat \u2014\u00a0a clever nod to Sir Walter Raleigh, the city\u2019s namesake. The four music stages amidst a throng of festival-goers denotes the open-air concert that fills the downtown streets of Raleigh during Wide Open Bluegrass.[\/vc_column_text][vc_single_image image=”6922″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]Fiddlehead,<\/span> with flames and a cartoon-yet-demonic face against a fiddle faceboard, creates an eerie, provocative piece. The f-holes frame the grimacing, green-gray visage.<\/p>\n

\u201cBluegrass sounds happy but a lot of the songs are really dark,\u201d muses Lee. \u201cGoing to prison, the hard life, folklore, mystical themes. It is not as dark as New Orleans but that side is there. The fun but slightly dark stuff people like.\u201d[\/vc_column_text][vc_single_image image=”6924″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]\u201cWide Open Bluegrass concepts are pretty simple but [the execution of the artwork pieces] are not. In addition to the people, the faces, the crowds, each has to have the PNC Building [a top event sponsor], Raleigh landmarks, the Shimmer Wall of the Convention Center.<\/p>\n

\u201cThe main stage piece is basically a performance shot of a bluegrass band and I am developing each of the characters.\u201d Be sure to check out the squirrel (lower left, now playing his banjo), the four irregular patches of purple to draw in the eye, and the oak tree shimmer wall. City regulars will notice, amidst the swirling lines and stylized colors, an impressive attention to accuracy. It is downtown Raleigh yet within a dream.[\/vc_column_text][vc_single_image image=”6921″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]In Devil\u2019s Dream,<\/span> the explosive, evocative power of Lee\u2019s art confronts the viewer with unbridled passion. \u201c…[T]he devil went down to Georgia, he was looking for a soul to steal…\u201d<\/span> goes the old Charlie Daniels tune. For long generations, the fiddle was associated with the underworld. Daniels\u2019 1979 hit merely brought the old stories to modern attention. Visually Lee\u2019s piece does the same.<\/p>\n

\u201cThe devil jumped up on a hickory stump and said, \u2018Boy, let me tell you what!\u2019\u201d<\/span>Here, fanciful flames encircle the goat \/ bug-like devil. Smoke billows in clouds while dark things of the underworld peer out \u2014 from tree crevices, even from the tree bark itself.<\/p>\n

\u201cI\u2019ll bet a fiddle of gold against your soul that says I\u2019m better than you!\u201d<\/span> Evil eyes stare, unblinking, in the darkness. A light in the window offers no comfort but a terrified rabbit (lower left) provides a touch of humor, a reminder that this is all folklore and nothing but a song.<\/p>\n

In times past, it was the storyteller\u2019s job to paint pictures with words, allowing the imagination to run wild in the untamed dark or beneath the light of an yellowing tallow candle. Today\u2019s rampant media inundates us with imagery and yet now rarely an artist grasps those things most elemental \u2014 our folklore, our hungry imagination, our fears, our humor \u2014 weaving all into a tapestry to inspire rather than dull our very souls.<\/p>\n

And that is the power of the weird, wonderful bluegrass art of Tim Lee.<\/p>\n

Originally published SEPTEMBER 24, 2014<\/span>[\/vc_column_text][vc_separator][vc_column_text]<\/p>\n

PLATES 1-4: COURTESY OF TIM LEE, 2014<\/h2>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] PLATE 1. \u201cFor the first one, we wanted to keep it pretty simple. All roads lead to Raleigh. We chose the banjo, the rolling hills, the iconic skyline from the PNC Building to the Convention Center\u2019s Shimmer Wall, and we went with a horizontal format to allow for the typography.\u201d \u2014\u00a0Tim Lee [\/vc_column_text][vc_separator][vc_column_text] The…<\/p>\n","protected":false},"author":2,"featured_media":6926,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[180,945,942,949],"tags":[1002,1190,1003,1189,1188],"class_list":["post-6927","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arcaneozarks","category-darkozarks","category-hillbillybroadway","category-ozarkfinearts","tag-bluegrass","tag-bluegrass-art","tag-ibma","tag-raleigh-nc","tag-tim-lee","category-180","category-945","category-942","category-949","description-off"],"_links":{"self":[{"href":"https:\/\/stateoftheozarks.net\/showcase\/wp-json\/wp\/v2\/posts\/6927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stateoftheozarks.net\/showcase\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stateoftheozarks.net\/showcase\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stateoftheozarks.net\/showcase\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/stateoftheozarks.net\/showcase\/wp-json\/wp\/v2\/comments?post=6927"}],"version-history":[{"count":3,"href":"https:\/\/stateoftheozarks.net\/showcase\/wp-json\/wp\/v2\/posts\/6927\/revisions"}],"predecessor-version":[{"id":6930,"href":"https:\/\/stateoftheozarks.net\/showcase\/wp-json\/wp\/v2\/posts\/6927\/revisions\/6930"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stateoftheozarks.net\/showcase\/wp-json\/wp\/v2\/media\/6926"}],"wp:attachment":[{"href":"https:\/\/stateoftheozarks.net\/showcase\/wp-json\/wp\/v2\/media?parent=6927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stateoftheozarks.net\/showcase\/wp-json\/wp\/v2\/categories?post=6927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stateoftheozarks.net\/showcase\/wp-json\/wp\/v2\/tags?post=6927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}