Jim Owens, Table Rock Dam, Coming Storm

plate 1. “Coming Storm.” Photo by the Missouri Conservation Commission, 1956. Provided by Joanie Stephens of Reeds Spring..

Ozarks Photography

by Joshua Heston

“At the time of the photo,” writes Joanie Stephens, who worked with Jim Owen in the last few years of his life, “Table Rock Dam had been under construction for almost two years. Jim put up a good fight against the dam because it would change the White River. In Jim’s letter edged in black, he mentions the White River was his ‘bosom pal for 25 years.’ As I looked at that picture again, I could imagine Jim grieving one more time.”

“As I looked at that picture....” More than just collections of pretty images, photography is a powerful force, artistic, social, even political. These Ozark hills have more than their fair share of talented photographers. It is with great honor to begin their showcase here...

Dogpatch USA, Tenille Blair-Neff

plate 1. Sad Mule, Dogpatch USA by Tenille Blair-Neff.

Dogpatch USA: A Reflection

by Tenille Blair-Neff

It was a cool, cloudy October morning in the year 2000. My little sister and I sleepily shuffled into the car and set off on an adventure. Growing up in the shadow of Joyland — an old amusement park in Wichita, Kansas — had instilled in us a taste for that potent mixture of thrill-seeking and historical decay. Each night we fell asleep to the sound of locusts mixed with that of screams as people flew down the drop of a rickety wooden roller coaster. Many a night I awoke in a flop sweat, having dreamed of a terrifying clown who played the piano at the park entrance.

Dogpatch USA, Tenille Blair-Neff

plate 2. Circus, Dogpatch USA by Tenille Blair-Neff.

Dogpatch USA, Tenille Blair-Neff

plate 3. Waterfall, Dogpatch USA by Tenille Blair-Neff.

It was this shared experience motiviating our road trip to the long-abandoned Dogpatch USA near Jasper, Arkansas.

At the time I was a 22-year old art student visiting my family who had recently moved from Wichita to Branson. My sister had learned of Dogpatch from some new friends and we were eager to explore. I brought along my 35mm black-and-white camera and hoped to get some good shots for my photography class. The drive was long. We spent most of the trip singing along with The Cure, all while cracking witty jokes.

We were young, melancholy and full of diffuse energy.

Dogpatch USA, Tenille Blair-Neff

plate 4. Razorback, Dogpatch USA by Tenille Blair-Neff.

Dogpatch USA, Tenille Blair-Neff

plate 5. The General, Dogpatch USA by Tenille Blair-Neff.

We arrived at our destination and climbed an old fence. The place looked more like a wooded farm than an amusement park. There was a deadly calm; the still air cloaked with eerie silence. I will never forget the cracked concrete, broken by thriving vegetation beneath its surface.

It is comforting to realize our human efforts to control nature are merely temporary. Life has a way of bursting through our strongest attempts at containment.

The abandoned park was littered with fallen statues of old childhood heroes. Their once joyfully painted smiles were weathered, beaten from years of exposure to the elements. I marveled at the contrast between what the park had once been — and what it had now become.

Dogpatch USA, Tenille Blair-Neff

plate 6. The Kiss, Dogpatch USA by Tenille Blair-Neff.

Dogpatch USA, Tenille Blair-Neff

plate 7. Hillbilly Bee, Dogpatch USA by Tenille Blair-Neff.

Dogpatch USA, Tenille Blair-Neff

plate 8. Fallen Man, Dogpatch USA by Tenille Blair-Neff.

Little did I know that year would mark the end of my own childhood. In the following months, I would graduate, get married and move far away from everything that held significance in my life. The period of life to come was, in some ways, an attempt to abandon whom and what I was before.

It was a time to invent a new life — one that left out the old roles I had played. As I prepared these photographs for State of the Ozarks magazine, I couldn’t help but notice the passage of time has brought me back to the very place I had tried to escape.

Recently I’ve moved closer to my family. I’ve come to realize all my attempts to contain my true self failed, as if my nature has burst through the concrete of my own well-crafted defenses. Today, as I breathe a sigh of relief, I know I’ve come full circle.

Our heroes rise and fall. Our innocence is lost but then reborn in our children. The ruins become like Dogpatch: a sad and comforting homage to the temporal nature of our lives.

October 30, 2014

Tenille Blair-Neff serves on the Branson Arts Council Board of Directors and is a practicing psychotherapist with 13 years experience as an artist in New York City. She currently resides near Blue Eye, Missouri with her husband Joel Neff and their young son.

Dogpatch USA, Tenille Blair-Neff

plate 9. Hogshead, Dogpatch USA by Tenille Blair-Neff.

Ozark Photography: Dogpatch USA Reflections

Photo credits: Plate 1: Missouri Conservation Commission, 1956. Plates 2-9: Tenille Blair-Neff, October 2000.

dogwood petal

Shiloh Smith

Shiloh Smith, photographer

Backyard Summertime by Shiloh Smith.

“It was 100 different memories suspended in time,” remembers Shiloh Smith. “The tire swing, summertime, the clothesline in the background. I have this fascination with old abandoned houses — the history involved within. You can picture a woman hanging clothes on a line. Kids playing on that swing, all in one photo.”

Born in Pocahontas, Arkansas but raised in cattle country near Ft. Pierce, Florida, Smith credits her homeschooling and her faith to a unique perspective.

“I’ve never taken a photography class though I remember loving National Geographic for its photos. I always liked being outside. It was around 2009 when people started taking notice [of my photos]. I’ve never read the owners manual on my camera! I just eyeball it.”

Smith returned to Missouri to attend College of the Ozarks and currently resides in the rural Springfield area. Her father, now-retired, is the knifemaker at Silver Dollar City. “My mom was a homemaker and she homeschooled all of us kids,” says Smith, who has two older brothers. “She weaves baskets and makes brooms too.”

“I don’t even know what being an artist means but through my photography, I realize I am able to change the way people see things. That is an awesome thing.”

FOR contact information go to Links Page. For all news articles listed, visit the News Directory.

Mike McArthy

Mike McArthy, Photographer

Rocky Falls Shut-Ins by Mike Mcarthy.

Although Mike McArthy grew up in Decatur, Illinois and currently lives on the “northern border” of the mountain plateau, the self-taught photographer has made a name for himself here in the hills.

For many years McArthy’s photos graced the cover of the venerable Ozarks Mountaineer.

“The Ozarks have their own enchantment,” he says. “You just can’t beat Missouri and Arkansas. We have the caves and the springs, our own topography, our own culture.” McArthy is also well-known for his Ozark-themed books, prints, cards and calendars.

For this article, his work is showcased by a photo of Rocky Creek near the Klepzig Mill, “deep in the heart of the Mark Twain Forest and Missouri’s National Scenic Riverways.”

FOR contact information go to Links Page. For all news articles listed, visit the News Directory.

Beckie Fairchild

Beckie Fairchild, Photographer

Shepherd’s Sunrise by Beckie Fairchild.

Beckie Fairchild of Kansas City is increasingly making a name for herself as a Branson photographer. However, as a nurse in the “busiest labor and delivery unit in Kansas City,” Fairchild’s passion for photography is a labor of love.

“Ever since I can remember, I’ve wanted to be a nurse and a photographer.”

A family vacation in 2008 opened the doors to Fairchild as a professional photographer. “I took some pictures and sent them to performers.” A number of theaters and attractions currently hire her for their promotional shots.

Recently, Fairchild gained attention for a series of photos taken from the top of Shepherd of the Hills’ Inspiration Tower: “It was almost like I had woke up in a fairytale,” she notes. “This country really takes your breath away. I don’t even have words to describe it. It just reminds me of what an awesome God we have!”

FOR contact information go to Links Page. For all news articles listed, visit the News Directory.

November 21, 2014

showcase bar Left Pointer

Arts & Crafts

Email the Editor:
Josh@StateoftheOzarks.net

Ozark Culture

State of the Ozarks Inc.
© 2007-2016

Copy and/or use of any portion of this site for commercial reasons without written consent is expressly prohibited.

PO Box 205, Hollister, MO 65673

Proud Member of Table Rock Lake Chamber of Commerce

ozark pine

StateoftheOzarks.net

Celebrating & Preserving the Ozarks