German Culture in the Ozarks

by Joshua Heston

The year was 1830. Across Germany, folks of all walks of life were reading the work of writer Gottfried Duden.

His book Bericht über eiene Reise nach den westlichen Staaten Nordamerika’s made an enormous impact in Continental Europe — and consequently the United States — and for good reason.

The bloody Napoleanic Wars (1803 to 1815) had shaken the European population’s faith in monarchy. It was a dark time.

In Germany, rising populations, desperate poverty, and a great deal of government control left thousands wanting more.

It was in this climate Duden’s book was published. The work, Report of a Journey to the Western States of North America (and a Stay of Several Years along the Missouri) described the new state of Missouri in warm and appreciative terms.

By the 1850s, no less than 88,000 Germans had immigrated to Missouri, bringing with them a sense of tradition, a deep, enduring appreciation for democracy, and a cherished culture.

“We left the old country... because we were sick of imperialism. America held out bright hopes for us — a living, the right to think and act as free men, in all matters on a level with our fellow-man,” wrote Emil Preetorius in 1899.

In many ways, it was the German immigration that would sway Missouri back into the Union during the Civil War.

“...[W]hoever knows the depth of the German love of freedom will know what the mission of Germans in this crisis must be...” wrote St. Louis’ Anzelger des Westens newspaper on December 17, 1860. The European immigrants were almost exclusively pro-Union and anti-slavery.

In the decades following the war, German culture would meld with the Ozarks.

The old apprenticeship trades, like woodworking, were dying in Europe, victim to industrialization.

In the rural communities of the Upper Ozarks, quality workmanship was preserved — at times becoming linked to the craftsmanship of the mountains.

Foods, flowers, farming styles, beer- and wine-making flourished.

And so, from the traditional St. Louis “gooey butter cake,” to the acres of vineyards stretching across rolling hills — from classic furniture and woodcarving to an exquisite musical heritage, the best of a Continental European culture adapted to the Missouri Ozarks and life in the hills.

We do well not to forget these contributions... or the motivations of those who made them.

January 15, 2010

German culture: gladiolus

Plate 1.

Duden's book

Plate 2.

chip carving

Plate 3.

German culture: gladiolus

Plate 4.

chip carving

Plate 5.

Photo credits: J. Heston. Plates 1 and 4, gladiolus detail, StateoftheOzarks Archives, August 20, 2009. Plate 2, cover page of Bericht über eiene Reise nach den westlichen Staaten Nordamerika’s, on display in the State Museum, Jefferson City, June 5, 2008. Plates 3 and 5, European-style chip carving by Pam Gresham, May 4, 2008. History notes courtesy of the State Museum, Capitol Building, Jefferson City, Missouri.

chinkapin oak

Ozark History

Conflicts:

Communities:

Infrastructure:

Email the Editor:
Josh@StateoftheOzarks.net

Ozark Culture

State of the Ozarks Inc.
© 2014

Copy and/or use of any portion of this site for commercial reasons without written consent is expressly prohibited.

PO Box 205, Hollister, MO 65673

ozark pine

StateoftheOzarks.net

Celebrating & Preserving the Ozarks