Highway 65

Tearin’ Down the Mountains

by Dale Grubaugh

Driving around Branson this weekend, I couldn’t help but notice an increase in traffic. More traffic means business is good. Folks are coming to Branson this weekend because of the Annual Car Show, the tax-free shopping for back-to-school items, the shows, attractions...and because it is summer and we have three big lakes.

Folks have been coming to Ozark Mountain country for a long time and for a lot of reasons.

The earliest visitors came in search of the beauty of the region they had read about in Harold Bell Wright’s book The Shepherd of the Hills. They came looking for Old Matt and his cabin. They wanted to see Aunt Mollie settin on the porch peeling a bowl of potatoes.

They wanted to catch a glimpse of Young Matt and his steam engine, to see the sheep ranch in Mutton Hollow, Uncle Ikes’ Post office. And of course, the hills, the beautiful Ozark hills we call home.

A lot of changes have come to the Ozark Mountain Country — changes needed to accommodate all of our visitors:

The lakes, Silver Dollar City, Shepherd of the Hills Farm and Outdoor Theatre, music shows, motels, restaurants shopping malls and new roads. There was a time around here when building was done in relationship to the land. We made our buildings fit the landscape. Nowadays, developers are changing the land to fit the building.

I made up a little song to demonstrate this fact: Where, oh where, have the Ozark Hills gone? / Where they are is a mystery to me / There’s just parking lots and shopping malls / Where the lovely hills used to be.

Now, I’m not against progress.

I am happy so many people want to come to our area. Those folks have put clothes on my family’s back for a lot of years and I am deeply thankful.

It just saddens me that the hills which first brought folks here are slowly being taken down. We can replant trees and shrubs, but we can’t rebuild the hills and God ain’t makin’ any more of them either.

Maybe we would do well to remember the old sayin‘ “dance with the one that brung ya” ... or rather, brung them.

’Till next time,

Elias Tucker

August 9, 2009

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About the columnist:

Dale Grubaugh, writing as “Elias Tucker from The Holler” is a valued contributor to State of the Ozarks. He is a man who loves his Ozark culture deeply.

As a Southern Baptist preacher and pastor, Dale has dedicated his life to the people of these hills.

Also, he has worked hard in many facets of the Branson show industry. And he has lived the Ozarks, fishing, hunting, appreciating the wilds that are so close — but so closely forgotten.

— Joshua Heston, editor

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©StateoftheOzarks.net2007-2009 July 12, 2009

dogwood petal Chisai Childs

Chisai Childs in 1982. Photo courtesy of Randy Plummer.

The Belle of Branson

(Branson, MO) In 1981, Chisai Childs brought her own glitzy variety show from the urban center of Ft. Worth to Branson’s Highway 76, choosing to host the show in her own newly built Starlite Theatre.

In so doing, Childs raised the bar on show production in the “Live Music Capital of the World.”

“I hired a lot of College of the Ozarks students to work for me,” remembers the entertainer. “They built the stages and sets.” A notable part of the Starlite Show included stages that turned to showcase entertainers. “None of that was automated! Those stages revolved because there were college students pulling ropes!”

A creative producer, Childs outfitted her performers in rhinestone-studded tuxedos and beautiful sequinned dresses. On stage, Childs herself showcased a vast array of glitzy evening gowns as she emceed, sang and performed as a comedienne. She was instrumental in making Shoji Tabuchi, John [and] Paul Cody, Johnny Lonestar, Doug Gabriel and Joe Tinoco an integral part of the Branson music scene.

“It’s exciting to see not only the folks I brought to Branson still performing here, but also their children and now grandchildren performing.” Childs — who celebrated her 67th birthday October 11 — would produce the Starlite Show until 1988 at which point family responsibility called her away. Ray Price leased her theater.

“I’m a downhome person,” shares Childs, belying her glitzy stage persona. “I love to fish. I love to cook. Most people don’t believe it but I’m pretty quiet and shy.”

Today, Childs is in her second year as promotions specialist with the Baldknobber Theatre and is also producer of the Branson Terry Music Awards. “I’m the only one at the Baldknobber Theatre who is not a Mabe,” she notes. “I do whatever needs to be done. I sell product. I usher. I clean toilets.”

Her work with the awards show is specific. “I want to bring back an awards ceremony that recognizes the accomplishments of our local entertainers.” Childs is also working on a cookbook that includes stories with each recipe.

The lady who brought great style and class to the Branson entertainment community is still hard at work promoting the community she loves. ”

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October 11, 2014

Elias Tucker

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